Wednesday, February 22, 2006

Confessions of a dangerous mind - I

At age twenty-four years eleven months, I was languishing in an 8X11 foot cell in solitary confinement in an obscure prison in Central Siberia. The outside temperature was minus forty-five degrees and from my underground dungeon sunlight trickled in only for a few minutes a day. I had been here for two weeks perhaps. Snow covered the ground, for two feet and even from the windowless rabbit hole where I was kept, the chill and the dampness pricked my bones. I surveyed my room for the millionth time, trying to find a way to escape. It was a bare room with no furnishing; the only objects were a fur quilt, a sleeping bag and a pot at the end of the room. Nothing much that I could use. Twice I had escaped this place and this time round, they were not going to take any chances. The government wanted me for questioning and they wanted me alive. After all, I was just a minnow in the large smuggling syndicate that had managed to steal Van Gough paintings from the Pushkin Art Gallery in Moscow in the past. Two weeks ago, I had failed to get away with a Monet, and Interpol saw this as their big chance.

Leaning against the wall, I started to think. Memories flooded me. Those years of poverty, living as an orphan in a ghetto in Rio de Janeiro. How, at the age of fifteen, Pierre caught me trying to steal his wallet and instead of handing me to the police took me home, and how it changed my life forever. Pierre it is perhaps then; my story begins with Pierre’s wallet. Michael is my name and Pierre fondly called me Mike. Hunger had turned me into a pickpocket and I was the slickest hand in our ghetto. At the end of the day, when we counted our Reals, I always had the most. I had an undisputed talent for stealing anything, without anyone ever noticing. I quite liked this arrangement and thought life could not be any better than living on people’s money. Then one day, I tried to pick Pierre’s wallet. He had turned his head to his left and was looking his wristwatch, and I had almost succeeded in drawing the black faux leather Gucci wallet from the right side of his trousers. Then I crossed the road and was about to rush to hoard my earnings, when a hand gripped my shoulders. “Nice work kid! You have good technique!!!” said Pierre smiling. I was astounded. It was the first time, I was caught and I started wondering where I went wrong. “Where is your Daddy?” “I don’t have one,” I said. ‘And where is your Mommy?” “I don’t have a Mommy either”. “Then I am your Daddy from today,” said Pierre and that was the turning point of my life.

Back home, Pierre gave me food, clothes, a bed to sleep and a house to call my own. He lived all by himself in an opulent mansion in downtown Rio and when I peeped out of the window, I could see a Lamborghini, a Ferrari and a Ford Mustang in his large stable of cars. Of course, I learnt the names much later. Along with that, I also learnt how to dress well, speak language of the gentry, and most importantly, Pierre gave me my first important lessons on theft and deception. For Pierre was the leader of the largest smuggling syndicate of Rio and he had just adopted me as his protégée.

Three years later, at the age of eighteen, I had learnt five languages, could drive any car, could fire a .44 Magnum, .45 Long Colt, .38 Special and a Colt Single Action Army from point blank range and was a dashing, handsome six-foot tall boy quickly learning that he was irresistible to women. A charm, that would come much handy later. At eighteen Pierre decided that I was ready for my first kill. An antique statue of Buddha, in a museum in Malaysia, which our client wanted for his private collection. Sadly, the Buddha was not for sale, so I had to step in.

To be continued.....

5 comments:

Oirpus said...

Wow! An international thriller ... The prelude is very iteresting... keep it up and do post the next part soon.

Anwesha Chatterjee said...

Thanks. Will try to post Part - 2 soon.

Anwesha.

Oirpus said...

Btw on that "point blank range" in the last para... I did some homework and I am confused.... Here it goes:

Point-blank range is the distance between a gun and a target such that minimum effort is required to aim. In particular, no allowance is required for the effects of gravity, target movement or wind so that aiming at the target will result in a hit within acceptable limits.

History of term:
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The term originated from a precise, but slightly different, meaning in the 18th Century. The carriage of a cannon was normally constructed so that the muzzle was elevated slightly even when the carriage was on a horizontal surface and the elevation screw turned fully down. When it was fired, the ball would travel in a parabola, initially rising above the line of sight connecting the end of the barrel with the target. The point where it rose above the line — immediately in front of the muzzle — was called the first point blank primitive. The point where it fell below it, or sometimes where it struck the ground and bounced, was the second point blank primitive. Point blank range was the distance out to the second point blank primitive.

Point blank fire was fire at a target in which the gun did not need elevating. The target would lie either within point blank range, or slightly beyond it so that it would be hit by the first bound of the ball. It was felt that artillery was at its most effective against infantry or cavalry at this point as the unpredictably bouncing ball would be hard to avoid by a mass of troops. Different types of guns had different point blank ranges; for example point blank range was out to 342 yards (313 m) for a French 8 pound Gribeauval gun with a 2.25 pound (1.0 kg) gunpowder charge.

Small arms and maximum point blank range:
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Small arms are often sighted-in so that the sight line and bullet path are within a certain acceptable margin out to the longest possible range, called the maximum point blank range. The range of distance inside the maximum point blank range is greatly dependent on the external ballistics of the cartridge in question; high velocity rounds have long point blank ranges, while slow rounds have much shorter point blank ranges. Other factors in the point blank range are the target size (which determines how far above and below the light of sight the trajectory may deviate), the height of the sights, and an acceptable drop before a shot is ineffective.

Source:http://en.wikipedia.org/wiki/Point-blank_range

Anwesha Chatterjee said...

Thanks for the references. I personally did not know that there was so much to the point blank thingy. Well, to put it in common parlance, shooting point blank means that you are definitely not going to miss your target.

Oirpus said...

okkay, but there is no glory attached with that... rather shooting at something from a longer range shows how skillful a shooter is...
Never mind keep writing ...